Titik Koma is proud to join KINTO Exhibit: The Residency at Erawan Bangkok, bringing its signature Indonesian coffee craft to KINTO’s design-driven space that celebrates mindful living and contemporary coffee culture.

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You Like it Raw
The Traditional Way of Enjoying Ceremonial Matcha by adding it with water (Usucha)
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You Like it Thicc
How the young are enjoying Matcha (Koicha) Thick Matcha from the Chasen Paired with creamy milk
_Strawberry%20Cloud%20Matcha.png)
You Like it Fancy
From Matcha Lemonade to Strawberry Foams, There's a creative way to enjoy Matcha for everyone
Aout Page en Droit
Masters Page


01
What is Ceremonial Matcha?
Ceremonial matcha is a premium, finely ground green tea powder made from the youngest shade-grown tea leaves in Japan
02
Ceremonial vs Normal Matcha?
Ceremonial matcha differs from regular café matcha because it uses younger, higher-grade leaves that are stone-ground for a smoother texture and sweeter umami flavor, while café matcha is made from older, more bitter leaves intended for mixing with milk or sweeteners.
L'Information En Gauche

La Poche Beige
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JAKARTA
January 26, 2026

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Hi, I’m Adrian Sherwood. I am a music producer and I’ve run record labels all my adult life, as well as producing bands in the studio, and live. Eventually I put out a couple of records in my own name. I’ve been very, very fortunate as I have worked with lots of great artists from different backgrounds, but my main and first love is Jamaican music. I love the tonality and the equalisation, and the space that you find in a great production. The first albums I was aware of as dubs were King Tubby Meets The Upsetter At The Grass Roots Of Dub and Ital Dub, both released in 1974. I was in secondary school and would go to a market stall in Wycombe run by my friend Joe, who we bought the records off.
Initially, with the two sides of records from Jamaican producers, one side would be a raw instrumental, which I found quite boring. I felt a bit cheated because I wanted to hear another song on the B-side. And then great people like Lee Perry and King Tubby started making the B-sides adventurous — they were the dubs that sounded exciting. There was a movement moving away from all the fun, rude reggae records and it started moving towards roots and culture. The dubs got more adventurous and they started using it as an album concept.

Des Douxieme The
Est Siam Prochain
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Nicolas Tremblay (French Mingei) Angouleme
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La Poche Beige
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Titik Koma Kayutangan
Titik Koma Kayutangan
January 26, 2026

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Pour Le Photo
Hi, I’m Adrian Sherwood. I am a music producer and I’ve run record labels all my adult life, as well as producing bands in the studio, and live. Eventually I put out a couple of records in my own name. I’ve been very, very fortunate as I have worked with lots of great artists from different backgrounds, but my main and first love is Jamaican music. I love the tonality and the equalisation, and the space that you find in a great production. The first albums I was aware of as dubs were King Tubby Meets The Upsetter At The Grass Roots Of Dub and Ital Dub, both released in 1974. I was in secondary school and would go to a market stall in Wycombe run by my friend Joe, who we bought the records off.
Initially, with the two sides of records from Jamaican producers, one side would be a raw instrumental, which I found quite boring. I felt a bit cheated because I wanted to hear another song on the B-side. And then great people like Lee Perry and King Tubby started making the B-sides adventurous — they were the dubs that sounded exciting. There was a movement moving away from all the fun, rude reggae records and it started moving towards roots and culture. The dubs got more adventurous and they started using it as an album concept.

A Matcha Made in Heaven
Enjoying Matcha The Titik Koma Way
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